Though the title Night and Day initially calls to mind a famous Cole Porter tune, U-M’s new production of the same name — consisting of a pair of playwright Charles Mee’s myth-inspired “dance/theatre works” — bears absolutely no relation to the song.

Well, unless director Malcolm Tulip and his artistic collaborators decide it does, that is.

How could a theatrical presentation be so malleable? That’s both the allure and challenge of Mee’s work. Dubbed the “public domain playwright,” Mee draws on old stories, re-tells them with new text, and offers them up freely online by way of his (re)making project. Built on the idea that “there is no such thing as an original play,” (re)making invites artists to use Mee’s plays as the creative starting point more than a blueprint.

“It’s this incredible mixture of working with text, but then devising a whole new piece, too, because of the liberty he gives you to alter it and to remake his work,” said Tulip. “For me, the approach was discovering what all the parts meant, and what the skeleton of what he amassed looks like. Because even he’s bringing together elements from other sources, making a kind of collage. So you end up talking about and determining what you keep, what the thrust of each section is, and how you remake or rewrite them.” READ THE REST HERE