Downtown Farmington may not be known as a playground to the stars, but thanks to a newly installed mural on the side of the Civic Theater’s building, locals and visitors may now regularly spot a handful of film icons (including Sidney Poitier, Jimmy Stewart, James Dean, and Veronica Lake) from the parking lot.
How did the mural come about? Earlier this year, Farmington’s Downtown Development Authority solicited artist proposals for a mural that would celebrate the Civic’s upcoming anniversary in 2020. (The suggested theme was “80 Years of Cinema.”)
Plymouth-based artist Adrienne Pickett was one of about a dozen entrants, and after her proposal was chosen, she – with a little help from artist friends Kellie Bambach (from Ann Arbor) and experienced muralist Peter Chavez (from Chicago) – spent four days (and one night) painting the mural onto the Civic.
“I have been a fan of murals and old-fashioned advertising on brick buildings for a long time,” said Scott Freeman, manager of the Civic Theater. “I think the vibrant colors and stylized images of classic movie stars are a great fit for the theater’s wall and for downtown Farmington.”
To hear more about the inspiration for, and installation of, Pickett’s mural, Metromode asked her a few questions. READ THE REST HERE
John Cameron Mitchell performing at Hill Auditorium. (Photo by Doug Coombe)
Saturday night’s Hill Auditorium performance by John Cameron Mitchell drew a crowd that likely skewed a bit younger and edgier than many University Musical Society audiences.
From where I sat, bold body art and piercings, asymmetrical haircuts, and statement eyeglasses abounded. And although about two decades have passed since Mitchell first created and performed in the groundbreaking show (and film) that would become his calling card, Hedwig and the Angry Inch, he not only rocked Hill Auditorium on his ongoing Origin of Love Tour but crowd-surfed, Superman-style, during an encore number.
But the two-hour concert kicked off with a direct reference from Hedwig, as powerhouse guest vocalist Amber Martin arrived first on stage and announced, “Ladies and gentlemen, whether you like it or not … John Cameron Mitchell!”
Dressed in Hedwig’s trademark blond wig — with two huge curls peeled back from each side of his face — and Erik Bergrin’s hyper-structural, black and white, “Transformer Cubism” armor dress, Mitchell opened by singing “The Origin of Love,” followed by a talk about the mythical origins of, well, “The Origin.” (Video designer Michael Zumbrun, meanwhile, standing stage-side, manually provided evocative, often hilarious visual backdrops for several of Mitchell’s stories and songs.)
Yet Mitchell also acknowledged that proceeds from his tour would go toward paying for his mother’s care, as she suffers from Alzheimer’s.
“I used to be going to hell for all this,” Mitchell quipped. “Now it’s paying her rent.” READ THE REST HERE