We’re all pilgrims, in a sense, finding our way around the hairpin twists and bumps in our life’s path. Maybe this is why Geoffrey Chaucer’s 14th century writings about a group of pilgrims traveling to Sir Thomas Becket’s shrine still endure.
Or it could just be because The Canterbury Tales – adapted for the stage by Lindsay Price, and now being staged (outdoors) by Ann Arbor’s Penny Seats Theatre Company – are often laugh-out-loud funny, and demonstrate that hundreds of years ago, people had many of the same desires and fears that we have have now.
One basic human drive was, and remains, storytelling, which Chaucer’s pilgrims employ as a means of distracting themselves during the journey. For Price’s stage version of Canterbury, the pilgrims have been distilled down from about thirty, in the original Middle English text, to seven: the Pardoner (Brian Baylor), the Miller (Matt Cameron), the Franklin (Dale Dobson), the Cook (Jenna Hinton), the Prioress (Tina Paraventi), the Wife of Bath (Debbie Secord), and the Reeve (Jeff Stringer) – plus an inn’s hostess (Jennifer Sulkowski), who tags along and suggests that the pilgrims compete in a storytelling contest. READ THE REST HERE
One thought on “My Pulp review of Penny Seats Theatre’s ‘The Canterbury Tales’”
You rock!! Thank you!!