My Detroit Free Press story about Shakespeare in Prison

Logo_K_JPG-750x424On a recent Tuesday night, 16 women gathered backstage and changed into costumes to play their roles in a production of Shakespeare’s “Othello.”

The space hummed with the giddy electricity of actors preparing to perform in front of an audience. The actress playing Iago, wearing brown slacks, a white shirt and a dark-red sash (which also holstered a foam sword), huddled up with Othello to do some last-minute line cramming.

Brabantio tucked her long, dark-blond hair up inside a hat. Cassio smirked and held up a spare handkerchief, jokingly noting that this all-important prop went missing onstage during the previous week’s performance. And Desdemona pinched the sides of her white, long-sleeved, knee-length dress and girlishly skipped across the stage.

Even before they began speaking the Bard’s lines, Shakespeare had temporarily liberated these women from their circumstances by giving them a temporary excuse to wear clothes not stamped with the letters MDOC — for Michigan Department of Corrections. READ THE REST HERE

Things to do around Ann Arbor this week: see Gregory Porter, fun ‘Raiders’ fan-film event and more

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Michael Franti and Spearhead play an Ann Arbor Summer Festival main stage show this week.

Ann Arbor Summer Festival/Top of the Park is in full swing, with free outdoor concerts, retreats and more happening at Ingalls Mall every night but Monday, starting at 5 (and on Sundays, and Tuesdays-Thursdays, movies under the stars at dusk).

Plus, lots of theater productions continue their runs this week: “Morning’s at Seven” at Chelsea’s Purple Rose Theatre; “Spin” at Ann Arbor’s Theatre Nova; “Assassins” at the Dexter’s Encore Theatre; Penny Seats Theatre Company’s “Canterbury Tales” at West Park; and Shakespeare in the Arb finishes its run of “Love’s Labour’s Lost” this weekend. But if you’re STILL looking for more great options, check out what else is happening.

UMS Choral Union’s 23rd Annual Summer Sings. All singers welcome to join this venerable local chorus for read-throughs of favorite choral works. Participants practice the more difficult parts of each night’s piece and, after a break, sing it in its entirety, with regional professionals singing the solos. No auditions required; music provided (or bring your own, if you have it). Refreshments. This time, University of Georgia choral activities director Daniel Bara conducts Haydn’s Lord Nelson Mass. Monday 7-9:30 p.m. at U-M Walgreen Drama Center’s Stamps Auditorium, 1226 Murfin in Ann Arbor. $5 at the door only. Registration begins at 6:30 p.m.

72nd Annual Manchester Community Fair. June 21-25. Midway rides, carnival games, concessions, tractor pulls, a rodeo (June 23 and 24 at 7:30 p.m.), an opening parade (June 21, 6:30 p.m.), livestock shows, live music by Dexter country-rock singer-songwriter KayLyn Pace (June 21, 7:30 p.m.), and more. For complete schedule, see manchesterfair.org. Tuesday from 9 a.m.-10 p.m. (June 21; rides open at 5 p.m.), Wednesday from 8:30 a.m.-10 p.m. (June 22; rides open at 3 p.m.), Thursday from 1:30-10 p.m. (June 23; rides open at 3 p.m.), Friday, 10 a.m.-10:30 p.m. (June 24; rides open at 1 p.m.), and Saturday, 10 a.m.-10:30 p.m. At Alumni Memorial Field, at Vernon and Wolverine in Manchester. $18 ride wristbands available. Continue reading

For Concentrate: How Ann Arbor Developed its Food Crush

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Zingerman’s Mail Order director Brad Hedeman has had a front row seat for Ann Arbor’s evolving food culture since 1994. (Photo by Doug Coombe)

Brad Hedeman, director of marketing and product selection for Zingerman’s Mail Order, arrived in Ann Arbor as a U-M freshman in 1994; and though he began his career that year with a job at Zingerman’s Deli, he also, a few years later, waited tables at West End Grill.

“At the time, there just weren’t a lot of restaurant options downtown,” says Hedeman. “If you couldn’t get in at West End, you probably went to the Chop House.”

There were other choices, of course: Real Seafood Company had been a Main St. mainstay since 1975; and Gratzi, Palio, and the Prickly Pear had all opened their doors by the early ’90s. But these eateries were once part of a relatively small grouping that has, in the last decade or so, exploded into a full-blown restaurant buffet in Ann Arbor, thus making the town a go-to destination for serious foodies.

There are many possible reasons for this evolution: the ethnic and cultural diversity of a college town; Ann Arbor’s “hippie” sensibilities, which translated – in gastronomic terms – into a relatively early embrace of vegetarian/vegan and farm-to-table cuisine; a longstanding, community-wide preference for local businesses and food suppliers; a population that regularly gets a sizable injection of new, creative young people every year; and a growing frenzy around the creation and consumption of food that’s swept not just Treetown, but the entire country – a la The Food Network and other media.

“Eating is no longer just about sustaining ourselves,” says Laura Berarducci, a self-described foodie (“Food rules my life,” she jokes) who’s also the marketing director for the Ann Arbor Area Convention and Visitors Bureau. “It’s become an experience, and Ann Arbor has a long history of having a very rich food culture. … Washtenaw County provides this great balance between rural and urban, which really helps when the farm-to-table craze suddenly becomes a big deal. … Ann Arbor is kind of unique, in that it didn’t have to change who it was to meet the demands of the foodie traveler.” READ THE REST HERE

My EncoreMichigan.com review of Encore Theatre’s ‘Assassins’

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Matthew Brennan as Lee Harvey Oswald in Encore Theatre’s “Assassins.”

Stephen Sondheim’s Assassins, now being staged at Dexter’s Encore Theatre, explores the more nightmarish aspects of the American Dream: for if we’re told from birth that we can “get ahead”– both professionally and personally  – by working hard, and yet we toil and labor and get nowhere, we’ll inevitably feel cheated, angry, and bitter.

But when a country breaks your heart, at whom do you aim your rage? For the 9 historic characters at the heart of Assassins, the answer is simple: a U.S. President. And while some are successful in their attempt, and others are not, they all transcend their respective eras to gather together in this show as a perverse kind of secret society. Included in the group is its famed forefather, stage actor John Wilkes Booth (David Moan); McKinley assassin Leon Czologsz (Dan Johnson); Garfield assassin Charles Guiteau (Daniel A. Helmer); FDR’s would-be killer Giuseppe Zangara (Ari Axelrod); Lee Harvey Oswald (Matt Brennan); would-be Nixon assassin Samuel Byck (Keith Allan Kalinowski); failed Ford assassins Sara Jane Moore (Sarah Briggs) and Manson protege Lynette “Squeaky” Fromme (Carly Snyder); and would-be Reagan assassin John Hinckley (James Fischer).

If this sounds like pretty strange territory for a musical, it is – but in the best way possible. There’s still no other show quite like Assassins, more than 25 years after its Off-Broadway debut; and in addition to Sondheim’s terrific score (and John Weidman’s darkly humorous book), you get fascinating, brief glimpses into our history, and you’re also challenged to relate to people whose actions you’re never asked to excuse. READ THE REST HERE

Things to do around Ann Arbor this week: A2 Book Festival, comic John Heffron and more

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Brazilian vocalist Bebel Gilberto has an Ann Arbor Summer Festival main stage show at the Power Center on Saturday.

Theater production runs of Shakespeare in the Arb’s “Love’s Labour’s Lost” and Encore Theatre’s “Assassins” continue this week, as does the Ann Arbor Summer Festival’s Top of the Park at U-M’s Ingalls Mall, with tons of free live music in the evenings on Tuesdays-Sundays, and outdoor movies at dusk on Sundays and Tuesdays-Thursdays.

But this week’s list begins with a community gathering to mourn those murdered in Orlando this past weekend.

Requiem for Orlando. On Tuesday evening, there will be a community performance of Mozart’s Requiem to honor the victims of the shooting at the Pulse nightclub in Orlando, Florida. The concert is free; no tickets are required. Through a social media and email campaign launched on Sunday, graduate student Austin Stewart and Kevin Fitzgerald, both alums of the University of Michigan School of Music, Theatre & Dance, were able to bring together 50 instrumentalists and more than 135 singers to participate in the concert. Fitzgerald will conduct the performers, which include SMTD students, faculty and alumni, as well as representatives of many local orchestras, such as the Ann Arbor, Dearborn and Rochester Hills symphonies, and the Michigan Philharmonic. “In the aftermath of the tragedy in Orlando, there has been a lot of discussion among friends about building sanctuaries,” Stewart said. “We are striving to do that by creating a safe space with music, by creating a tapestry of voices representing every race, creed, sexuality and background. This is a timeless piece that expresses the full range of emotions that come with grief and healing. Our hope is for the concert to build solidarity and strength through music and communal reflection.” Tuesday at 8 p.m. at Hill Auditorium, 825 N. University Ave. in Ann Arbor.

A2SF Main Stage shows. On Wednesday, Gregory Alan Isakov and The Ghost Orchestra take the stage at Ann Arbor’s Power Center. Plaintive and poetic, Isakov crafts stunning, sepia-toned compositions that tell a story of miles and landscapes, captivating and haunting his listeners. With nods to Leonard Cohen and Andrew Bird, his lush arrangements lend themselves to a fuller sound, and he will be accompanied by his band, as well as a mini-symphonic ensemble. In a tour that includes headlining Red Rocks and The Kennedy Center, this is a rare opportunity to see a unique performance with one of indie folk’s most admired new singer/songwriters. Poet Andrea Gibson opens the show, with a set that may include mature themes. Wednesday at 8 pm at the Power Center, 121 Fletcher in Ann Arbor, and tickets cost $27-$40.

On Saturday night, A2SF presents Bebel Gilberto at the Power Center. This popular Brazilian singer, daughter of the legendary Brazilian singer-songwriter and guitarist Joo Gilberto, weaves sultry pop and soft electronica into her sophisticated bossa nova and samba repertoire. Saturday at 8 p.m. at the Power Center, 121 Fletcher Rd. in Ann Arbor. Tickets cost $30-$35, available in advance at tickets.a2sf.org or 734-764-2538.

Frontier Ruckus plays Sonic Lunch. Popular experimental bluegrass-based folk-rock ensemble from Lake Orion plays a free show on Thursday at noon at Liberty Plaza, near the intersection of Liberty and Division in Ann Arbor.  Continue reading

My preview of Encore Theatre’s ‘Assassins’ for We Love Dexter

assassins.pngEven though Matthew Brennan is directing, choreographing and performing in Encore Musical Theatre’s new production of Stephen Sondheim’s “Assassins” – which focuses on nine men and women who have tried (sometimes successfully) to kill a U.S. President – he’s having trouble convincing his Aunt Eileen to give the show a chance.

“I recently saw her in Louisville, and she said, ‘What’s next?’ and I said, ‘Assassins,’ and she said, ‘Oh, I’ll sit that one out,’” said Brennan. “ … But (the show’s) not at all a glorification of these people. It does not apologize or make light of what they did, and it’s not un-American in any way. (The show’s) just been misconstrued, … and really, it’s written in such an even-handed way. The show doesn’t vilify these people – they do that to themselves. Yet we still find a way of relating to them.”

“Assassins” first premiered Off-Broadway in 1990; and while the show has since become a favorite of many Sondheim and non-Sondheim fans alike, it initially received a lukewarm critical reception.

“It wasn’t that it was groundbreaking in terms of structure, or the piece itself, but the material is not your usual fare for a musical,” said Brennan. “ … And the more modern assassins have a different significance for the audience. It’s more difficult to see Squeaky Fromme or Lee Harvey Oswald on stage if you lived in that time and remember seeing them. With something like ‘Sweeney Todd,’ we can laugh it off as a penny dreadful Victorian myth or folklore, but this is our American folklore. Yes, it’s pretend, because there’s singing and dancing, but we all also have a more visceral response to it.” READ THE REST HERE

Things to do around Ann Arbor this week: see Laith Al-Saadi, Shakespeare in the Arb, Top of the Park and more

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Fans can see Ann Arbor native Laith Al-Saadi perform at Sonic Lunch this week, fresh off his successful fun on NBC’s “The Voice”!

Cinetopia International Film Festival continues in Ann Arbor, Detroit and Dearborn this week, as do theater production runs at EMU (“The Last Five Years”) and Theatre Nova (“Katherine”). But all kinds of things are kicking off this week, including the Ann Arbor Summer Festival and Shakespeare in the Arb. See all the details below.

Book/author event highlights. New Yorker contributor and arts editor Michael Schulman will discuss his new book, “Her Again: Becoming Meryl Streep.” Monday from 7-8:30 p.m. in the Ann Arbor downtown library’s multipurpose room (lower level), at 343 S. Fifth Ave. in Ann Arbor. Free.

New Baltimore, Michigan writer Tom Stanton will discuss his new book, “Terror in the City of Champions: Murder, Baseball and the Secret Society That Shocked Depression-Era Detroit,” about the Black Legion, a secret terrorist organization that flourished in Detroit in the mid-1930s, when the Tigers won a World Series, the Lions won an NFL title, and the Red Wings won a Stanley Cup. Signing. Monday at 7 p.m. at Nicola’s Books, at 2513 Jackson, in the Westgate shopping center in Ann Arbor. Free.

Finally, on Tuesday, Ann Arbor’s Julie Lawson Timmer will read from “Untethered,” her new novel about a college professor and stepmom whose parental rights are challenged when her husband dies in a car accident. Tuesday at 7 p.m. at Literati, 124 E. Washington in Ann Arbor. Free.  Continue reading

My Cinetopia International Film Festival preview, via IXITI

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“Captain Fantastic,” starring Viggo Mortensen, plays at the 2016 Cinetopia International Film Festival.

In 2012, Ann Arbor’s Michigan Theater launched the inaugural Cinetopia International Film Festival, which screened about 40 films over the course of four days. The fest’s planners aimed to bring several of the best new features and documentaries from the world’s most prestigious film festivals to Southeast Michigan so that local movie buffs could check them out in a festival atmosphere, too.

Now celebrating its fifth anniversary, Cinetopia has grown in many ways. It now runs for 10 days, from June 3rd through 12th, and more than 50 films will play across more than 120 screenings. Those viewings expand beyond Ann Arbor venues to include those in Detroit, Dearborn and Bloomfield Hills (including The Henry Ford Giant Screen Experience, new this year). And in terms of audience attendance, there has been about a 40 percent increase each year.

“We’re a long way away from maturity, but we’re happy with the growth so far,” said Michigan Theater Executive Director and CEO Russ Collins. “It needed to grow pretty aggressively. … We knew that for (Cinetopia) to be viable—and this depends on the scale of what you want to do, of course—we needed to draw at least 20,000 attendees. … Last year, we got to that 20,000 number, but in order for that to sustain itself, we need to keep growing. … The majority of the financial resources for the festival comes from sponsorships, and that’s been really gratifying. We’ve had good sponsorship support, and that’s key to keeping things growing.” READ THE REST HERE

Things to do around Ann Arbor this week: see A2CT’s ‘The Wedding Singer,’ Sonic Lunch, Cinetopia, Taste of Ann Arbor and more

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Chip Mezo stars in Ann Arbor Civic Theatre’s production of “The Wedding Singer.” (Photo by Lisa Gavan)

Friday’s Judy Collins show at the Ark may be sold out, but if you look at both sides now (see what I did there?), you’ll see there are lots of other great choices for leisure activities this week. Check out some of your options below.

Aoife O’Donovan at The Ark. The former vocalist of a Boston neo-bluegrass outfit called Crooked Still, O’Donovan is a honey-voiced pop-folk singer-songwriter who’s regularly featured on “A Prairie Home Companion.” Her new CD, “In the Magic Hour,” is a collection of introspective explorations of memory and mortality written in the wake of her grandfather’s death. Tuesday at 8 p.m. at The Ark, 316 S. Main in Ann Arbor. Tickets cost $15 (members, free), available in advance at mutotix.com, theark.org, or by phone at 734-763-TKTS.

The Leastaways’ “West of Elsewhere.” This traveling theater troupe, founded by Ann Arborites, performs its multidisciplinary show that follows the intersecting lives of illegal train-hoppers during the panic of 1893, when a depression drove hundreds of thousands of people to leave their homes in search of a better life. Interwoven with music, the story concerns American idealism, hardship, living in uncertainty, and the pursuit of belonging. Wednesday at 7:30 p.m. at Pointless Brewery & Theatre, 3014 Packard in Ann Arbor. Tickets cost $10 at the door.

Sonic Lunch kicks off Thursday. One of the best things about being around downtown Ann Arbor in the summer is walking to Liberty Plaza on Thursdays at noon to see a free Sonic Lunch show. (In case of rain, the shows are held in the Ark on Main Street.) Performers in Sonic Lunch’s lineup range from local and regional favorites to nationally known acts, and this year’s series kicks off Thursday with Wild Belle. Enjoy seductive, musically sophisticated retro-pop with a reggae groove by this critically acclaimed band, led by the sibling singer-songwriter duo of vocalist Natalie Bergman and saxophonist/keyboardist Eliot Bergman, who founded the popular Afrobeat band Nomo when he was a U-M student. Thursday from noon-1:30 p.m. at Liberty Plaza, located on E. Liberty St. at S. Division. Free. Continue reading

My EncoreMichigan.com review of Theatre Nova’s ‘Katherine’

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Melissa Beckwith stars in Kim Carney’s “Katherine” at Theatre Nova.

Kim Carney’s new play, Katherine, now having its world premiere at Ann Arbor’s Theatre Nova, has a wholly apt tagline: “Herstory repeats itself.”

The one-woman show highlights five generations of women within one family. Thanks to an established tradition of naming the first-born daughter Katherine, we glimpse the carriers of that name (all played by Melissa Beckwith) over the course of about a century. Beginning with a farmer’s wife who addresses God one night in a barn, the play goes on to feature a single mother of five who’s desperate to find work during the Depression; a snarky, bored, alcoholic housewife who’d prefer a male therapist; an addict-turned-motivational speaker who finds God in a school community’s response to a natural disaster; and a contemporary single businesswoman who stands at a personal and professional crossroads.

The 90 minute play, directed by David Wolber, is structured in five scenes, with minimal props and nifty transitions that show us Beckwith, in silhouette behind a screen, transforming into the next Katherine. READ THE REST HERE